Gustave Moreau
French 1826-1898 Moreau's main focus was the illustration of biblical and mythological figures. As a painter of literary ideas rather than visual images, he appealed to the imaginations of some Symbolist writers and artists, who saw him as a precursor to their movement. His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau studied under François-Édouard Picot and became a friend of Th??odore Chass??riau, whose work strongly influenced his own. Moreau carried on a deeply personal 25-year relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Piet?? which is now located in the cathedral at Angoul??me. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition. Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. Over his lifetime, he produced over 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Mus??e national Gustave Moreau at 14, rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and was opened to the public in 1903. Andr?? Breton famously used to "haunt" the museum and regarded Moreau as a precursor to Surrealism. He had become a professor at Paris' École des Beaux-Arts in 1891 and counted among his many students the fauvist painters, Henri Matisse and Georges Rouault. Moreau is buried in Paris' Cimeti??re de Montmartre. In Alan Moore's graphic novel, The League of Extraordinary Gentlemen, it is implied that he was a nephew of Doctor Moreau, and he based a few of his paintings on the Doctor's creations.
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Gustave Moreau Sappho oil painting


Sappho
1871-72 watercolor on paper Victoria and Albert Museum, London.
Painting ID::  19540 		Gustave Moreau
Sappho
1871-72 watercolor on paper Victoria and Albert Museum, London.
   
   
     
Gustave Moreau Salome Dancing before Herod oil painting


Salome Dancing before Herod
1874-76 oil on canvas The Armad Hammer Collection, Los Angeles.
Painting ID::  19541 		Gustave Moreau
Salome Dancing before Herod
1874-76 oil on canvas The Armad Hammer Collection, Los Angeles.
   
   
     
Gustave Moreau The Apparition oil painting


The Apparition
1874-76 watercolor on paper Mus??e du Louvre, Paris.
Painting ID::  19542 		Gustave Moreau
The Apparition
1874-76 watercolor on paper Mus??e du Louvre, Paris.
   
   
     
Gustave Moreau The Apparition (Salome) (mk09) oil painting


The Apparition (Salome) (mk09)
c 1875 Oil on canvas,142 x 102 cm Paris,Musee Gustave Moreau
Painting ID::  21501 		Gustave Moreau
The Apparition (Salome) (mk09)
c 1875 Oil on canvas,142 x 102 cm Paris,Musee Gustave Moreau
   
   
     
Gustave Moreau The Apparition (mk19) oil painting


The Apparition (mk19)
c 1874-1876 Oil on canvas,142 x 103 cm Musee Gustave Moreau,Paris
Painting ID::  22262 		Gustave Moreau
The Apparition (mk19)
c 1874-1876 Oil on canvas,142 x 103 cm Musee Gustave Moreau,Paris
   
   
     
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     Gustave Moreau
     French 1826-1898 Moreau's main focus was the illustration of biblical and mythological figures. As a painter of literary ideas rather than visual images, he appealed to the imaginations of some Symbolist writers and artists, who saw him as a precursor to their movement. His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau studied under François-Édouard Picot and became a friend of Th??odore Chass??riau, whose work strongly influenced his own. Moreau carried on a deeply personal 25-year relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Piet?? which is now located in the cathedral at Angoul??me. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition. Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. Over his lifetime, he produced over 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Mus??e national Gustave Moreau at 14, rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and was opened to the public in 1903. Andr?? Breton famously used to "haunt" the museum and regarded Moreau as a precursor to Surrealism. He had become a professor at Paris' École des Beaux-Arts in 1891 and counted among his many students the fauvist painters, Henri Matisse and Georges Rouault. Moreau is buried in Paris' Cimeti??re de Montmartre. In Alan Moore's graphic novel, The League of Extraordinary Gentlemen, it is implied that he was a nephew of Doctor Moreau, and he based a few of his paintings on the Doctor's creations.

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